Current Reviews

Moments in Time – Available for Immediate Purchase / 《Moments in Time》──可即時購買 | John BATTEN

在數據洪流中尋找立足點──評《信奉一條河流：亞洲數碼藝術展》Review: “Believe in a River: Asian Digital Art Exhibition” | Phoebe WONG

Saigon in Hong Kong and the 'Napalm Girl' photo controversy | John BATTEN

Xu Bing’s Hong Kong Square Words 徐冰在香港：英文方塊字書法 | John BATTEN

抓到你耳朵，把邊界包括在外 Review of 'Title Untitled', a devised theatre piece | Phoebe WONG

Film Review: The Message (El mensaje) / 電影評論: 《聽牠怎麼說》 | John BATTEN

朱興華的𣈱快 Chu Hing Wah on his 90th Birthday - an appreciation | Oscar Hing-kay HO

Manila 馬尼拉 | John BATTEN

Sarah & Samuel: A Contemporary Portrait of Intimacy by Daniel Ho 當代親密關係寫照 / 何思衍 | Daniel Szehin HO

Paul Cézanne and the work of other artists – as viewed from the perspective of twenty-first century Hong Kong 從二十一世紀香港的角度看塞尚及其他藝術家的作品 | David CLARKE

A Hong Kong Modernist Icon: Wah Fu Estate 香港現化主義標誌：華富邨 | John BATTEN

Entrance lobby of Tang King Po School, Ma Tau Wei, Kowloon, Hong Kong, 29 December 2021 | John BATTEN

AICAHK Newsletter - December 2024 每月通訊 - 12月 |

Review: ‘Fragments of Curiosities’ at HART Haus, Hong Kong | John BATTEN

Peter Kennard: Archive of Dissent at Whitechapel Gallery 《彼得·肯納德：異議檔案》by Taylor Cheng 鄭銘柔 |

楊秀卓: 黑暗中點點靈光 Ricky Yeung Sau-cheuk: A Little Light in the Darkness | Oscar Hing-kay HO

AICAHK Newsletter - October 2024 每月通訊 - 10月 |

Hong Kong Art Focus - Oscar Ho | 香港藝術焦點——何慶基 VIDEO LINK |

'GOING' - a photograph & Hong Kong's auction houses | John BATTEN

一個舊展覽的啟示 Learning from a public art exhibition | Oscar Hing-kay HO

貝聿銘：人生如建築 I.M. Pei - Life is Architecture at M+ Hong Kong | John BATTEN

AICAHK Newsletter - September/October 2024 每月通訊 - 2024年9/10月 |

The latest reviews and commentary by Hong Kong art critics...

Bruce Nauman: An Artist's Artist 布魯斯‧瑙曼 | John BATTEN

‘Expressionists’ and ‘Now you see us’: two Tate exhibitions during the summer of 2024 | David CLARKE

島島共鳴 - 藝術家駐留有感 Resonance Islands - Linkshouse Orkney Arts Residency | 黃嘉瀛 Wong Ka Ying

Latest Hong Kong art news | Chung Wing Shan

AICAHK Newsletter July 2024 每月通訊 - 2024年7月 |

The latest reviews and commentary by Hong Kong art critics...

「放在公共空間的藝術」和「公共藝術」 'Art at Public Space' and 'Public Art' | Oscar Hing-kay HO

在港驟見貝聿銘的中銀大廈 Impressions of I.M. Pei's Bank of China Tower seen in Hong Kong | John BATTEN

AI影像、合理性與情緒支配 AI Imagery, Plausibility & Emotional Manipulation | John BATTEN

第六十屆威尼斯雙年展藝評：再次—在藝術終結之後（及其開始）Review of the 60th Venice Biennale: 'The End of Art – Again (and its Beginning)' | Helen GRACE

短評《陳巧真：踱步》 Review: Chan Hau Chun ''Silent Sojourns'' | John BATTEN

同場加映：盧亭/香港文化搵水散水：港人與海 ‘Also screening: Lo Ting/ Hong Kong Culture; Lost and Found of the Water: Hongkongese and the Sea’ | Oscar Hing-kay HO

'Hong Kong's Central Reclamation Phase III' | John BATTEN

Swiss Photographer Rene Burri | John BATTEN

The Road to the Baroque | David CLARKE

Curating Public Space 何慶基 | Oscar Hing-kay HO

黃仁逵：《天一半地一半》 Wong Yankwai: Half(s) & Halves of... | John BATTEN

Review of Kwan Sheung Chi, ''Not Retrospective'' | John BATTEN

短評M+ 阿比查邦 · 韋拉斯塔古《Primitive》 | Suze Chan suze陳

M+ admission fees - why? | John BATTEN

撫慰那過後的疲累 —— 鄺鎮禧《踏空》 Comfort after Cruelty - Kong Chun Hei’s “Off Beat” (scroll down for English) | Grace GUT

戰爭、語言、文化符號 Symbols of War, Language and Culture | Oscar Hing-kay HO

When one’s future is an open wound | Eric Otto WEAR

張弛 ——林國鑫《安全毯》Tension and Relax: 'Safety Blanket' an exhibition by Aaron Lam Kwok Yam | 吉暝水 Grace Gut

‘May the earth in chaos come to us for light’: Deep Time in Daniel Boyd’s Pediment/Impediment | Helen GRACE

Quatre décennies d’art contemporain chinois | Gerard HENRY

One of the highlights of the new M+ museum in Hong Kong is the M+ Sigg Collection, donated by Uli Sigg...

Hong Kong ouvre M+, le plus grand musée de culture contemporaine d’Asie | Gerard HENRY

A review in the original French about M+ and its opening exhibitions.

Creative Collaboration Transcends Borders and Boundaries: Hong Kong at Echigo-Tsumari Art Triennale | Natalie Ho

The fourth exhibition at the “Hong Kong House at Echigo-Tsumari Art Triennale” featuring Hong Kong artist Lam Tung Pang

Zao Wouki: “Il ne fait jamais nuit” (“It never gets dark”) | Hilary BINKS

Zao Wouki: “Il ne fait jamais nuit” (“It never gets dark”) was an appropriately optimistic title for an exhibition coming out of lockdown in the south of France last year. Held at the Hôtel de Caumont, an elegant 18th century mansion with a beautiful garden...

Invited Writers

鹽糖之後，時代鹹酸 | Salt and Sugar, A Generation of Salty and Sour | 羅玉梅 Law Yuk Mui

藝術創作無法解決個人或社會問題，但它可以是一個載體，讓你放下；或者讓你看淸楚問題沒有被解決。

我老師提培Wayne Thiebaud嘅小故事 | Oscar Hing-kay HO

提培是加州Funk Art的顯赫人物，以繪畫芝士批、塑膠花、香口膠波等「無聊無深度」生活小東西而著名...

Sam Francis and Walasse Ting: An Artistic Friendship | David CLARKE

An article about the American abstract artist Sam Francis and his friendship with Chinese-born Walasse Ting, who, however, spent most of his life in the USA and Europe.

Invited Writers

高牆下，創意川流不息 | Creativity flows against the Great Wall | Grace GUT

常言道「大時代更能孕育經典作品」......

Invited Writers

那答案早在我們心裏 —《那地方：鄧凝姿采風》 | Hoi Ling

香港與中國之間複雜的牽絆是不少本地藝術家關注的議題。自二零一九年......

Invited Writers

抓住或美麗、或破舊的尾巴 | Wing Shan LEUNG

自從本土意識抬頭，香港掀起了持續不退的「懷舊」熱潮。特意用上引號......

Error可駕駛嗎？看「釋色如果我是」的觀眾創作 Can We Drive ‘Errors’? – A Review of Audience Participation in “Free Coloring If I Were” | Phoebe Ching Ying MAN

創作社會交往式藝術，講求開放的觀眾參與，有時觀眾的創作往往會...... This article titled ‘Can we drive “errors”? – A review on the audience participation in “Free Coloring If I Were”’ in English and Chinese

Art of the powerless | Eric Otto WEAR

In his 1978 essay The Power of the Powerless, Vaclav Havel describes...

Invited Writers

習慣了系統出錯的常態 | Wing Shan LEUNG

整齊排列滿牆但脫色的海報在門口迎賓，為什麼有黃色告示牌要人脫下......

另一個紀念花園 | Another Garden of Remembrance | John BATTEN

歡迎進入《香港花園》。以下是......

盧亭/香港文化搵水散水：港人與海 | Oscar Hing-kay HO

盧亭乃香港僅存嘅本土神話，清初學者屈大均《廣東新語》云，盧亭乃居於......

Invited Writers

由景入心 — 談黃進曦《斗室島敘》 | Grace GUT

自「行山寫生」開始留意黃進曦，每次看他的作品，我都有舒心的感覺......

Invited Writers

如果自由即將逝去 | Hoi Ling

1970年代，越南人因越戰逃難至香港尋找自由，許多逃難的人在過程中長期居住於香港的羈留營，這段歷史對香港人......

Invited Writers

請不要用藝術來說服我 | Grace GUT

三月，曾經因為香港巴塞爾藝術展及同期舉行的其他藝文活動，而被旅遊發展局冠名為「香港藝術月」。新冠疫情未退......

Invited Writers

參差的生活痕跡透露「家」之所在 | Wing Shan LEUNG

居住的場所是否等如「家」？每個人對此有不同演繹，在《生活痕跡》的展覽中......

curating West Kowloon Cultural District photography M+ art fair biennial freedom of expression museum Cattle Depot Fotan Tai Kwun painting moving images ACO CCCD C&G Artpartment Green Wave Art Lumenvisum Ping Pong Gintonería SoCO soundpocket Rooftop Institute Spring Workshop Videotage 1a space Hong Kong Museum of Art Para Site Art Space Floating Projects Asia Art Archive Form Society Oi!

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